>From: "Chad M. Gasta" <[log in to unmask]>
>To: "[log in to unmask]" <[log in to unmask]>
>Date: Fri, 3 Oct 2008 14:40:32 -0500
>Subject: Festschrift in honor of Robert L. Fiore
>
>Dear Colleague and Friend,
>
>On the eve of Professor Robert L. Fiore’s 
>retirement from academia and to commemorate his 
>many contributions to Hispanic studies, we are 
>editing a collection of essays in his honor that 
>will appear as a part of Juan de la Cuesta 
>Hispanic Monographs’ well-known Homenajes 
>series. The contributors are distinguished 
>scholars from around the world. A list of the volume’s essays is below.
>
>We write to invite you to add your name to the 
>volume’s Tabula Gratulatoria.  For $28, your 
>name will appear on the list, and you will 
>receive a hardcover copy of the volume.  To join 
>the Tabula honoring Bob, please send a check 
>made out to Juan de la Cuesta Hispanic 
>Monographs for $28.00 before November 15, 
>2008.  Please also include the exact way you 
>would like your name to appear in the Tabula. 
>Send your check and information to:
>
>Chad M. Gasta
>Department of World Languages and Cultures
>Iowa State University
>3102 Pearson Hall
>Ames, IA 50011
>
>Please pass this announcement along to anyone 
>who may be interested.  We hope you will join us 
>in this project to honor Bob, whose scholarship 
>and friendship have had such a profound impact on so many of us.
>
>Best Wishes,
>Julia Domínguez
>Chad M. Gasta
>
>Table of Contents
>
>Introduction: Robert L. Fiore
>Chad M. Gasta
>Julia Domínguez
>
>1. William R. Blue
>Pennsylvania State University
>“Ya amor es mercader:” Deceit, Counterfeiting, 
>Love and Money in Don Gil de las calzas verdes
>
>2. Danny Brunette-López
>University of South Dakota
>Entropic Humor and the Subversion of the 
>“Ordered System:” Anticlericalism and Skepticism in Lazarillo de Tormes
>
>3. Lourdes Bueno
>Austin College
>La simbología in bono del águila en La pícara Justina
>
>4. Antonio Carreño
>Brown University
>Las picardía de un secretario: Lope de Vega
>
>5. Frank P. Casa
>The University of Michigan
>Power, Passion and Duty in Moreto’s Primero es la honra
>
>6. Fredrick A. De Armas
>University of Chicago
> From Goa to Lisboa:  Imperial, Erotic and 
> Hagiographic Storms in Tirso’s Escarmientos para el cuerdo
>
>7. Manuel Delgado Morales
>Bucknell University
>Delincuencia, carnaval y comedia en Bajarse al moro
>
>8. Julia Domínguez
>Iowa State University
>Cuando la picaresca determinó pasarse a Indias: el caso de Mi tío Atahualpa
>
>9. Deborah A. Dougherty
>Alma College
>Marriage as Sacrifice: Girardian Ritual in El Conde Partinuplés
>
>10. Susan L. Fischer
>Bucknell University
>Aspectuality, Dramatic Performativity, and El 
>castigo sin venganza: (Re)Performing Lope’s Problem Tragedy on Stage and Page
>
>11. Edward H. Friedman
>Vanderbilt University
>Collaborating with Lope de Vega; or, Wits Friend
>
>12. Chad M. Gasta
>Iowa State University
>Early Opera in Spain and the New World: the Genesis of a Transatlantic Genre
>
>13. David Gitlitz
>University of Rhode Island
>Comediantes and the Inquisition in Colonial Mexico
>
>14. Margaret R. Greer
>Duke University
>Early Modern Spanish Theatrical Transmission, Memory, and a Claramonte Play
>
>15. David J. Hildner
>University of Wisconsin-Madison
>Amos Calderonianos injeridos en criados
>
>16. A. Robert Lauer
>The University of Oklahoma
>Las estrategias retórico-narrativas de la 
>Dorotea de Cervantes: Don Quijote 1.24, 28-30, 36-37, 46
>
>17. Howard Mancing
>Purdue University
>Don Quijote: The Texture of the Text
>
>18. Barbara Mujica
>Georgetown University
>Letters to Friend and Foe: Ana de Jesús in France and the Low Countries
>
>19. Thomas Austin O’Connor
>Binghamton University (State University of New York)
>Nuevas meditaciones sobre La vida es sueño
>
>20. James A. Parr
>University of California, Riverside
>El coloquio de los pastores II: Further Inquiry 
>into Academic Culture and Criticism
>
>21. C. George Peale
>California State University, Fullerton
>Playing Ball in Philip IVs Court, or, A Curious 
>Coincidence in the Materialist History of the Comedia
>
>22. Janet Pérez
>Texas Tech University
>Perspectivas sobre el cine de Miguel Delibes, 
>fiel reflejo de la cultura popular española de la segunda mitad del siglo XX
>
>23. Antonia Petro
>Loyola Marymount University
>En busca de la bruja del XVII español
>
>24. Helen H. Reed
>State University of New York at Oneonta
>Catalina de Cardona, “la Mujer Pecadora,” and Her Auto/Biographies
>
>25. Joseph V. Ricapito
>Louisiana State University
> From Reading to Seeing: The Picaresque in Films
>
>26. Alison J. Ridley
>Hollins University
>Traces of Calderón’s La vida es sueño in Buero Vallejo’s El sueño de la razón
>
>27. Matthew D. Stroud
>Trinity University
>Artistic Distance and the Comedia: Lessons from Don Quijote
>
>28. Sharon D. Voros
>United States Naval Academy
>Leonor’s Library: The Last Will and Testament of Leonor de la Cueva y Silva
>
>29. Judith Whitenack
>University of Nevada, Reno
>Trapped Author, Trapped Characters: Ana Caro’s Partinuplés
>
>30. Diane M. Wright
>Grand Valley State University
>Finding One’s Way in the Counter Reformation: 
>Thomistic Thought in Tirso de Molina and Calderón de la Barca
>
>Contributor Biographies
>
>Chad M. Gasta
>Associate Professor of Hispanic Studies
>Director, Languages & Cultures for Professions
>Director, Western European Studies Program
>Iowa State University
>3102 Pearson Hall
>Ames, IA  50011-2205
>TEL. (515) 294-0918
>FAX. (515) 294-9914
>
>[log in to unmask]
>www.language.iastate.edu/gasta

Prof. A. Robert Lauer
The University of Oklahoma
Dept. of Modern Langs.,  Lits., & Ling.
780 Van Vleet Oval, Kaufman Hall, Room 206
Norman, Oklahoma 73019-2032, USA
Tel.: 405/325-5845 (office); 405/325-6181 (OU 
dept.); Fax: 405/325-0103 (office)
Vision: Harmonious collaboration in an international world.
Mission: "Visualize clearly and communicate promptly"
<http://faculty-staff.ou.edu/L/A-Robert.R.Lauer-1/vita.html>VITA 
/ <http://www.peterlang.com/all/>IBÉRICA / 
<http://www.ou.edu/bcom/>BCom / 
<http://www.ou.edu/cervantes/coloquiocervantes.html>Coloquio 
<http://www.ou.edu/cervantes/coloquiocervantes.html>Cervantes 
/ 
<http://www.ou.edu/teatro/coloquioteatro.html>Coloquio 
Teatro de los Siglos de Oro